6.2 min read| Published On: January 29th, 2019| 0 Comments|
By Chris Gerbasi
An enchanted evening
6.2 min read| Published On: January 29th, 2019| 0 Comments|
A cast of characters brings ‘South Pacific’ to The Villages.
Anyone calling the Barth residence in The Villages over the next couple of months may want to be very specific about who they’re trying to reach. They could wind up talking to Emile de Becque.
Broadway fans will recognize Emile’s name from “South Pacific.” The character also is the new alter ego of Richard Barth, who’s playing Emile in The Villages Musical Theater’s production of the play from March 22-24 at Savannah Center.
Since landing the part of the Frenchman last year, Richard often can be heard speaking with a French accent when leaving phone messages, ordering at restaurants, or explaining the plot of the classic, time-tested musical. This year marks the 70th anniversary of the first Broadway performance of “South Pacific,” with music and lyrics by Richard Rodgers and Oscar Hammerstein II.
The Villages Musical Theater also is marking a milestone, coming full circle since staging “South Pacific” as its first show in 2002. About 160 Villagers volunteer both on and off stage with the VMT, and all productions are performed with a live orchestra of 20-plus members. Longtime member Sandie Hawthorne is directing the play, and Dellie Saxe plays the female lead, Nellie Forbush, to Richard’s leading man, Emile.
Sandie initially told the whole cast that Richard was from France—he’s from Cleveland—before clarifying that while he’s not from France, he would be speaking in a French accent at all times.
“He is completely into this part,” Sandie says. “He’s quite a character and he’s working so hard.”
While Richard likes to stay in character, he’s actually stepping out of his own character to take on the role. He comes from a classical music background, without any acting experience, and is better known in The Villages for his rock band, Bill Board and the Headliners.
Richard majored in composition and tuba in school. He performed professionally with Cleveland orchestras and other performers, such as Henry Mancini and the bands of Stan Kenton and Meredith Willson, who wrote “The Music Man.”
When he moved five years ago to The Villages, Richard wanted to stay involved in music.
“In all frankness, more people want to hear rock ’n’ roll than they do classical music,” says Richard, who lives in the Village of Collier. “I reinvented myself as a keyboard player, and out of necessity, I started singing.”
Bill Board and the Headliners—the name literally was inspired by Richard seeing a billboard with a sign underneath that read, “headliners”—play classic rock at private parties and neighborhood gatherings. Leo Brown is the guitarist and lead singer, Jim Berg plays bass, and drummer Paul Berns was a percussionist for 40-plus years with the Indianapolis Symphony Orchestra, as well as Richard’s best man at his wedding 50 years ago.
A former member of the band was involved in theater and mentioned “South Pacific” to Richard, who auditioned as a “fluke” because Emile’s part suits his voice.
“That’s probably the one musical I could sing because the lead is a bass,” he says. “It was a part I knew I could sing.”
Sandie has no reservations about Richard’s lack of acting experience.
“He has an innate ability to do this part and his voice is beautiful,” she says.
In his French accent, Emile, uh, Richard, tells the story of Emile, a “very upright, old-fashioned, stoic man” who stands up to a town bully in France but accidentally kills him, escapes on a cargo ship, and winds up on an island in the South Pacific. He marries and has children with a Polynesian islander, who later dies.
Alone for some time, Emile’s passion is reignited when he meets Nellie, an American naval nurse who arrives on the island during World War II. Emile expresses his feelings in the song “Some Enchanted Evening.”
“It’s like instant love,” Richard says. “So that whole love story is setting up where the rest of the play goes.”
Emile and Nellie fall in love, but she’s a country girl from Little Rock, Arkansas, and is shocked to find out Emile has children from a marriage to a Polynesian woman. The play’s themes are as timely today as they were when “South Pacific” opened in 1949.
“It is a relevant story today because it is still about this racial prejudice, how do we deal with this, and it’s also this story about this bully who takes over the town and how do we react to this,” Richard says.
Nellie learns a life lesson by working through her feelings about Emile and his children, Dellie says.
“It’s such a relatable story because it’s about relationships and about life and things you think you can handle, and then you come to a point where [you say], ‘I can’t do it,’ and you adjust and through those struggles you realize what’s really important in life, and it’s relationships,” she says.
“South Pacific” holds a warm spot in Dellie’s heart. She played Nellie as a teenager and during a student showcase in Chicago, she was thrilled to meet actress Mary Martin, who originated the role on Broadway. She’s bubbly in describing the character.
“She is so down to earth. She has no airs,” Dellie says of Nellie. “She’s OK with saying things that may sound corny. She’s just a genuine person. She calls herself a cockeyed optimist and she is and that’s what you love about her.”
Dellie and her husband, Dave Saxe, who plays Luther Billis, live in the Village of Osceola Hills and are participating in their first production with the VMT. Like many members of the troupe, however, they have professional experience. They operate a summer stock theater in Pennsylvania and performed for several years in Chicago as members of the Actors’ Equity union.
“It was a great time while we did it, a lot of fun, but you know, theater’s hard work,” Dellie says. “You’re always looking for the next job.”
Despite the heavy themes of “South Pacific,” it is a musical comedy, and that’s where Dave comes in. As Billis, a Navy Seabee and “entrepreneur” on the island, he provides comic relief. Billis will resonate with any military veterans who didn’t like their officers, Dave says.
“It’s just a lot of fun, this character,” he says. “He’s the kind of guy maybe you didn’t want to be but you sure had his thoughts, because you wanted to tell [off] the officers.”
Sandie says Dellie and Dave are “perfect” for their roles and part of a “fantastic” cast. Sandie, of the Village of Mira Mesa, has been with the VMT for more than 15 years, and last year was honored as Member of the Year for her work as a director and former board member.
Sandie’s an admitted “theater person.” She studied theater at Illinois Wesleyan University and planned to attend a New York arts academy before she was diagnosed with multiple sclerosis during her senior year. That ended her academy plans and curtailed her dreams of performing, though she became an Equity actress and appeared in several professional shows.
“I couldn’t really get rid of the passion that I had for theater, so I stuck with it for a long time,” she says.
After marrying Jon, her husband of 54 years now, Sandie remained involved in local theater in Illinois and had the lead in “Whose Life Is It Anyway?”
She uses a wheelchair most of the time but is comfortable performing on stage in it. Since moving to The Villages, she has acted in plays and won a Sarah Award for “Over the River and Through the Woods” at Melon Patch Theatre in Leesburg.
Sandie now focuses on directing and her credits include “Annie Get Your Gun,” “The Music Man,” “Carousel,” “Thoroughly Modern Millie,” “Oklahoma,” and “Always Patsy Cline.” She expects to add “South Pacific” to her list of favorite productions with the VMT.
“I have always loved ‘South Pacific’ because of the music, and, of course, it’s hard to beat and everybody knows it,” Sandie says. “It was credible in the ’40s and it’s credible today because of racism and because of people’s feelings of ‘you’ve got to stay within your own class,’ ‘you don’t marry someone of another color.’ It really talks about that and it talks about morals.”
Sandie says she gets a boost from working with theater people—talkative, animated, fun people who like to laugh and have a good time.
“I’m disabled, but it makes me feel much better when I’m around really active people, because that’s the way I wish I were and I hope that they still think I am,” she says.
Positive feelings seem to be mutual among the VMT troupe. Dellie and Dave say they’re “having a ball.”
“Everybody’s been so warm and welcoming, and it’s just great,” Dellie says. “It’s like family. It’s wonderful.”
“I think the people doing this thoroughly enjoy it,” Dave adds. “Nobody’s getting paid, and we do it because we love it.”
Sandie encourages anyone who loves the theater to participate in the VMT, which stages two shows each year.
The fall show will be a musical revue, and “The Producers” is planned for March 2020.
“People really enjoy taking on roles other than their own personalities,” Sandie says.